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On the Evolution of the Theme of "House" in Chinese Landscape painting in Sui and Tang Dynasties

Xin Li

Abstract


Any art form exists and develops on the basis of its culture. Art is inseparable from culture. Culture is restricted by social background. Social background, cultural background and art development restrict and derive from each other, supporting and developing each other. The choice of the theme of landscape painting "house" in various historical periods of ancient China has evolved under the influence of social factors and culture in different historical periods. The transformation of ancient Chinese society and dynasties, the ruler's governing strategy, philosophical thought, social atmosphere, religious communication and other factors have played a decisive role in the formation of social culture. As the main thought of traditional Chinese painting, literati painting thought is influenced by society The influence of cultural background is deep.


Keywords


Landscape Painting; Social and Cultural Background; Spot View "House"; Theme

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References


Yu, JH., Chinese Painting Theory Series [M], Beijing People's publishing house, 1968.

Xu, HF., Yang, CX., Pavilion of China [M], Beijing: Light Industry Press, 1983.

Zong, BH., Aesthetics and artistic conception, Beijing: People's publishing house, 1987.

Zhong, HN., Inheritance of Pavilion: Collection of architectural culture [M], Taiwan: Taiwan Commercial Press, 1989.




DOI: https://doi.org/10.18282/ii.v4i2.547

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